Welcome. Christopher is an actor and photographer with a home studio in Kennington, Central London, SE11
Reviews & Awards
READ TO ME (short film)
And all of these wonderful achievements both technically and narratively are anchored sensationally by what can only be described as an immense performance by Sherwood. All these other elements of the film simply seem to orbit and are kept aligned by the impeccable talent that Sherwood seems to effortlessly exude, a turn that manages to somehow make Rolan so much more than what he simply might have been, a character to really connect with, like, pity, distrust, and fear all at once. The rest of the supporting cast understandably are left with little to do in comparison, and though each of them are very competent in their own right when they do get their moments to shine, such is the magnitude of what Sherwood achieves that their impact doesn’t have any chance of registering anywhere near as much. https://www.ukfilmreview.co.uk/reviews/read-to-me
The central role is taken by Christopher Sherwood with an intensity that holds the attention and a fully rounded characterisation which lingers in the memory. Though there are no big dramatic moments the air of brooding tension throughout keeps Sherwood’s characterisation believable and the premise behind this piece intriguing
https://2ndfrombottom.wordpress.com/2023/09/03/read-to-me-punched-theatre-review/
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INHERIT THE WITCH (Feature Film)
...save a few standout scenes from Christopher Sherwood and debut feature writer-director Cradeaux Alexander.
...A handful of dialogue exchanges linger in the mind (Sherwood’s monologue about talismans being a standout).
https://www.exquisiteterror.com/inherit-the-witch-cradeaux-alexander
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The acting, particularly from Christopher Sherwood as Lars and Alexander as lovers and fighters, stands out.
https://filmthreat.com/reviews/inherit-the-witch/?utm_content=cmp-true
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The talented ensemble cast, led by Alexander himself alongside Rohan Quine, Heather Cairns, and Christopher Sherwood, brings palpable depth to these flawed, layered characters.
https://horrorfacts.com/inherit-the-witch-unveils-a-diabolical-family-legacy/
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THE TRAGEDY OF DORIAN GRAY (Theatre)
For me, the stand out performance in Dinwiddy’s production came from Christopher Sherwood as the tragic artist Basil Hallward. Like most of the other characters he is totally beguiled (and besotted) by Dorian’s beauty but he doesn’t really recognise or even comprehend the monster that lurks within until its way too late.
Out of all the productions of Dorian Gray that I’ve seen over the years, this was by far the most accomplished portrayal of the tormented Hallward and all credit to the script and the director. His performance is exceptional throughout and the scenes between Basil and Dorian are both chilling and morbidly significant.
https://northwestend.com/the-tragedy-of-dorian-gray-brighton-fringe/
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The evening’s standout performance comes from Sherwood as conflicted artist Basil Hallward, who brings an unmatched authenticity to the stage.
https://gaylondonlife.co.uk/the-tragedy-of-dorian-gray-review-by-ifan-llewelyn/
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In general, the performances are strong, with particularly accomplished portrayals of Basil Hallward and Alan Campbell from Christopher Sherwood and Tom Taplin, respectively. Sherwood’s Basil is a cynical Northerner with distinct David Vaughan vibes. It suits the productions well and I found him thoroughly believable. To me, he was the tragic loss of the story, not Mr Gray. I know this story well, and have never considered Basil to be a blameless character; Sherwood made me believe him to be so.
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Ross Dinwiddy sets his The Tragedy of Dorian Gray for local company Blue Devil Productions in 1965, and it begins with an outstanding (interpolated) scene at a vernissage where we meet the cast’s strongest performer Christopher Sherwood as painter Basil Hallward. His encounter with Dorian (Maximus Polling) is naturalistic and evocative of the period; you can feel the cultural tide and social mobility that swept through the UK under Harold Wilson.
https://playsinternational.org.uk/the-tragedy-of-dorian-gray/
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Sherwood’s characterisation as the voice of reason is entrancing with Basil’s real feelings towards Dorian carefully held close to the surface in a delicate combination of reverence and disgust.
https://northwestend.com/the-tragedy-of-dorian-gray-ukraine-fringe/
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HORNBEAM (Short Film, Iris Prize Nominee, BIFA Longlist for best short)
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Both actors have a terrific reticence that evokes both uncertainty and contentment about what is happening between them. Each is excited about the situation, but also recognises that what they're doing is seedy, as they're hiding this part of their lives from everyone they know. Their nervousness is palpable, as is the way they begin to relax in each other's presence, sharing this secret about themselves.
http://www.shadowsonthewall.co.uk/23/cs.htm
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A very grounded, convincing relationship that was anchored by two very strong performances.
Wildsound film festival
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NAUGHTY (UK Tour, Theatre)
There is also spectacularly good voice-work from Christopher Sherwood, playing Kevin, the drama teacher who morphs from confidante and advisor into creepy groomer. The shading Christopher Sherwood brings to the words is affecting and praiseworthy.
https://www.londonpubtheatres.com/review-naughty-at-the-hen-chickens-theatre-27-sept-2-oct-2022
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Perhaps the most powerful decision, however, is the choice to have Houghton play every character except Kevin, who is instead played by Christopher Sherwood through voice recordings.
https://lostintheatreland.co.uk/naughty-review-kings-head-theatre/
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IN FROM THE SIDE (Feature Film, now on NETFLIX)
The performances from the supporting ensemble are superb. They each play their roles well, creating an atmosphere of family among their characters while ensuring the audience can relate to them. It feels like there’s definitely scope for a continuation of these characters should Carter decide to make a sequel or a spin-off series.
https://entertainment-focus.com/2022/09/14/in-from-the-side-review/
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I wanted to know more about captain Jimmy (Sherwood), the team’s Jürgen Klopp, who gives pep talks with deep emotional intelligence.
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Jimmy (Christopher Sherwood) brings gravitas in his post-match speeches.
https://www.dogandwolf.com/2022/09/in-from-the-side-2022-film-review/
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ALL IS VANITY (Feature Film, Official Selection, BFI London Film Festival)
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...the film manages to pull it off on the strength of its talented cast, stylish cinematography and self-aware script, presenting a complex but fascinating production with its tongue firmly in its cheek.
https://www.theupcoming.co.uk/2022/10/10/all-is-vanity-movie-review/
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THE BLACK EYE CLUB
The cast of three are also much to the production’s credit. Christopher Sherwood is my pick of the bunch as the damaged, repressed but ultimately inspiring Dave. His quiet diffidence makes for a very believable and tragic performance.
https://pubtheatres1.tumblr.com/post/167123765802/the-black-eye-club-by-phil-charles-bread-roses
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The play has a lot of heart and the chemistry between Prye and Sherwood is key to this.
https://breaking-the-fourth-wall.com/2017/11/14/the-black-eye-club-bread-roses-theatre-review/
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The relationship between the pair played by Christopher Sherwood and Rebecca Pryle, zings and pops with conflict of character, behaviour and education, but its always engaging. Their journey is comical to watch especially with the added interventions of Sharon, the duty officer, or ‘concierge’ as she calls herself.
https://pubtheatres1.tumblr.com/post/167123765802/the-black-eye-club-by-phil-charles-bread-roses
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FOXFINDER (Theatre)
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Christopher Sherwood as William did shine but this is partly because he was so perfectly cast. He does play very well, the serious, contained, restricted and conflicted characters. He looked the part perfectly in his almost Amish suit and hat. He did seem to inhabit this monk-like creature so completely. I was especially struck by one moment when he refused an offer of food from Judith. The extremely brief look of longing as the basket of bread passed by him was quite special mostly in that it was not played up or pointed out with any other movement and was quite possibly missed by much of the audience – but it was there.
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CHRISTMAS (Theatre)
Postman Charlie references himself as a guardian angel, but Christopher Sherwood’s performance oozes realism and his social observations are spot on.
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Coupled with Christopher Sherwood, who plays Charlie Anderson, the two make an extremely dynamic pair. At the point of conflict in this play, where Charlie is goading Billy Lee with questions about his past, Bence and Sherwood work extremely well together to create some sharply tense moments.
https://www.londonboxoffice.co.uk/news/post/Review%3A-CHRISTMAS-at-Theatre-N16